A large black swan dips its beak towards a man in a trench coat standing in dark water. To the left, a woman with purple hair faces away, her teal coat a stark contrast to the muted tones of the scene.

Two women sit on a porch, one with her arm around the other's shoulders. The woman on the right laughs, holding a small white bundle.

A bright white circle sits at the apex of a geometric pattern. Dark grey lines form sharp angles, pointing inwards from the sides and outwards from the bottom, creating a sense of depth.

A man on horseback drinks from a stream. Nearby, a house stands beside a body of water filled with debris and submerged vehicles.

Smooth, grey rocks fill the foreground, submerged in clear, turquoise water. The water reflects the sky and the dark, rugged rocks that form the shoreline.

The artwork features a pyramid of white, stylized garlic bulbs against a black background, framed by two dark hands. At the bottom, four dried, yellowed seed pods are arranged in a row.

A man in a suit raises his hand, his gaze fixed on something beyond the frame. Behind him, a misty lake reflects a sparse line of trees.

Parliament TV is on screen, displaying a message that this programme is rated G for general viewing. The background shows a blurred image of the New Zealand Parliament buildings.

A man with a beard speaks directly to the camera, his black shirt and silver chain visible. Behind him, two paintings hang on the wall, one featuring abstract colours and the other a blurred portrait.

A man in a hat and jacket stands on the beach, lifting something to his lips. A group of women and children sit together on the sand, their long dresses and hats a clear sign of the era.

A lone figure stands in the distance, silhouetted against the grey sky. Around them, weathered wooden structures rise from the sand, their forms stark against the desolate landscape.

A complex arrangement of pink and orange pipes and gears dominates the frame. A red, curved piece of metal arcs over a set of interlocking cogs.

The bright green, spiky forms stand out against the deep blue background. Thick strokes of maroon and yellow paint create a textured, abstract composition.

A woman plays an accordion while a bird stands nearby on a boat. Two ships are perched atop her head, steam rising from their funnels.

A portrait of a man with long dreadlocks and a pounamu pendant hangs on the wall. The text below identifies him as Māia Hetariki, Dad, 2025.

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Upcoming Programs

2026-04-08 06:00 - arTVox: Urban Art, Into the light, ki te marama

2026-04-08 18:00 - arTVox: Urban Art, Into the light, ki te marama

2026-04-09 06:00 - arTVox: Urban Art, Into the light, ki te marama

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