A woman in a bright pink blazer gestures with her right hand as she speaks, while a man in a blue suit looks on. A graphic overlay reads "RETURN HUBS - THE EU'S NEW MIGRATION PLAN?".

A woman in a bright pink blazer gestures with her right hand as she speaks, while a man in a blue suit looks on. A graphic overlay reads "RETURN HUBS - THE EU'S NEW MIGRATION PLAN?".

A man in a tan sweater gestures with his hands as he speaks, his light-colored pants creased. A screen in the background displays "euronews. berlin 20:54" and "business."

A man in a tan sweater gestures with his hands as he speaks, his face animated. A Euronews graphic in the corner shows the time in Zagreb.

A man in a suit plays a long-necked stringed instrument, his mouth open as if singing. Behind him, other instruments are displayed in glass cases.

A large whale swims slowly through murky water, its tail fin occasionally breaking the surface. Police have established a perimeter to keep onlookers at a safe distance.

A woman with dark hair speaks, her expression earnest. A graphic on the screen behind her indicates it's 14:54 in Zagreb.

A chef, Milena Pecho, founder of Wankas' Catering, speaks directly to the camera in a professional kitchen. She's sharing her thoughts on her work, as part of a "Made in Europe" feature on Euronews.

The text "Catch up on the stories that matter" appears above a row of yellow stars. Below the stars, the words "European politics" are highlighted in yellow within a blue rectangle.

A person in a blue jacket films a woman in a chef's coat, who stands beside another woman speaking animatedly. The scene is set indoors, with shelves of what appear to be books or products behind the speakers.

A scanner glows with orange and blue light as a hand is placed on it. This new biometric check is part of the travel process.

A woman in a light purple shirt and blue jeans walks past a building with large windows. Reflected in the glass, I can see people inside and a glimpse of the street beyond.

A chef carefully pipes a rich red filling onto small, round pastries. Another woman in a chef's coat watches intently, her gaze fixed on the delicate work.

A figure contorts mid-air, limbs splayed, their body a canvas of vibrant neon paint under a blacklight. The fluorescent patterns pulse with electric blues, greens, and pinks against the deep purple backdrop, a striking visual from a performance in France.

A colorful, cartoonish robot stands center, its arms outstretched. To its left, a stack of gray cardboard boxes rises, and to its right, an old-fashioned computer monitor and keyboard sit on a surface.

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